I have always been interested in the way time changes things. I notice the beauty that appears through age, use, and change — the qualities that develop slowly and give something a sense of having existed before us. I am drawn to the feeling of history that can be held within a surface, even when we know nothing about where it came from.

There is something about imperfection that makes a work feel more alive to me. I find myself responding to details that show change rather than conceal it. They give a sense of character, depth, and presence, and often create a feeling that is difficult to explain but easy to recognise.

This way of seeing naturally enters my process. I work through layers, building and altering the surface and allowing the material to respond along the way. I enjoy the balance between intention and what cannot be completely predicted. Sometimes the most interesting part of the work comes from allowing the material to behave in its own way.

My work often begins with something I have noticed or experienced — a place, an atmosphere, a colour, a memory, or simply a feeling that stays with me. I am interested in how these impressions can be translated into something physical through texture, colour, depth, and material.

My practice continues to evolve through experimentation with different materials and processes. I want to remain open to where the work can lead, while continuing to follow the qualities that feel most meaningful to me: the evidence of time, the beauty of imperfection, and the quiet presence that can emerge from material.